Deuteroneira finds it extremely hard to take center stage, and very hard to take strong action. It is very difficult for Deuteroneira to reject or condemn anybody. Deuteroneira often relies on the third Monad, Tritoneira, to actually do the hard jobs. Deuteroneira is very attached to Tritoneira, and has a love/hate relationship to the fourth Monad, Tetroneira. Deuteroneira is the most orderly of the Monads, and can be compulsive in this regard.
The third Monad, Tritoneira, is most often found in alliance with the second Monad, Deuteroneira, or with the fourth Monad, Tetroneira. Tritoneira often takes on the responsibility for doing things which Deuteroneira or Tetroneira really should be doing, out of love for them. Tritoneira is highly effective in her actions, and an excellent planner -but she tends to move very quickly, taking many shortcuts and ignoring rules. Tritoneira is the most determined of the Monads.
The fourth Monad, Tetroneira, is highly emotional and often has a loose grasp on reality, tending to fall into fantasies and delusions. Tetroneira is easily hurt but can be quite aggressive herself. Tetroneira is especially attached to the second Monad, Deuteroneira, with whom she has a love/hate relationship –they vary between deep affection and bitter enmity. Tetroneira is also often strongly attached to Ebdomoneira. Tetroneira can be very emotionally needy, and tends to smother those she depends upon. None-the-less at her best Tetroneira is the most creative of the Monads.
The fifth Monad, Pemptoneira, is highly original, and often opens new territories in various ways. In many cases Pemptoneira is emotionally distant from others. But she has a great love for the ninth Monad, Enatoneira, whom she tends to idealize. She also is frequently in conflict with the seventh Monad, Ebdomoneira, whom she tends to feel jealous of, and whom she is also afraid of. Surprisingly, of all the Monads Pemptoneira feels the deepest and strongest love.
The sixth Monad, Ektoneira, is frequently in conflict with the ninth Monad, Enatoneira –a situation which is often quite bitter. Enatoneira is ultimately too impartial and abstract for Ektoneira’s liking, Ektoneira being deeply devoted to her relationships. Ektoneira loves the fourth Monad, Tetroneira, with whom she works very well. Ektoneira also tends to be in conflict with the second Monad, Deuteroneira, and the third Monad, Tritoneira, whom she often feels threatened by. Among the Monads Ektoneira represents the greatest expression of love.
The seventh Monad, Ebdoneira, loves the eighth Monad, Ogdoneira, and is highly drawn to the fourth Monad, Tetroneira. Ebdoneira tends to take on too much responsibility for others and will sacrifice herself for her loved ones. Ebdoneira dislikes conflict and tries to reconcile the differences of the various Monads.
The eighth Monad, Ogdoneira, is often in conflict with all the others –and is wholly oblivious to the damage this conflict causes. Ogdoneira loves the fourth Monad, Tetroneira, whom she tends to put on a pedestal –unfortunately she also tends to smother her, and to be overly possessive. Ogdoneira is the most passionate of the Monads and is highly sexual. When focused and unblocked Ogdoneira is also the most strongly magical of the Monads.
The ninth Monad, Enatoneira, tries to rise above her surroundings to a point of balance, and likes to treat everyone fairly. Enatoneira dislikes conflict and tries to resolve it. Enatoneira has a love/hate relationship with Protoneira: they are strongly attracted to each other, but fear each other even more, so can rarely come together for any amount of time.
It is to be born in mind that the Souls which arise from the Monads and the lives which arise from those Souls express every variation on the Monad’s theme. Some are very negative. Others very positive. These form a continuum from spiritually underdeveloped to highly spiritually developed.